Thursday 9th |
Wood Theatre
(further info) |
Theatre 1
(further info) |
Theatre 3
(further info) |
Prest Theatre
(further info) |
10.00-
11.00am
Wood Lecture Theatre |
KEYNOTE: Changing Museums
Professor Ronald de Leeuw, Director of the
Rijksmuseum, Amsterdam |
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11.00-
12.30pm |
From Frescoes to Wall Painting |
Mixed Identity |
Politics, Politics, Politics |
Art in Australia |
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Ilana Payes
'Civil liberties may change, but prejudice remains – Jewish Venice' |
David Collard
'Late Bronze Age Cyprus: Aegean Colonisation vs Cultural Hybridity' |
James Field
'Greece or Rome: Fluctuations in Hannah Arendt’s Concept of Law' |
Robyn Dold
' “Poor old painting.” Guy Stuart and the fluctuating death of painting.' |
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Stephen Payne
'Drawing and the Rediscovery of the Antique in Renaissance Italy' |
Sonya Wurster
'Self-Representation in Strabo’s Geography: Greek, Roman or Pontic?' |
Thea Potter
'Unearthing Athenian Autochthony: The Imaginary City, the Imaginary Myth' |
Rosemary Forde
'Contemporary art writing in Melbourne - current trends and strategies of independent publishers ' |
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David Akenson
'The Gap in the Plaster: Wall Painting, Installation, and the Void' |
Heather Sebo
'The Elsewhere of Home: Euripides’ Helen (1478-94)' |
Sarah Midford
'Ancient Celebrities and Spectacular Greed: How the Roman Triumph was used to serve the Personal and Civic Agendas of Elite Republicans' |
Dunja Rmandic
'Australian Modernism, Migrant Art and Revisionism' |
12.30-
1.30pm |
Lunch |
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1.30-
3.00pm |
Death |
Clashing Cultures |
And then it happened... |
Absence, Existentialism and Naughtiness |
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Sariah Willoughby
'Fusion of Burial Practices and Afterlife Beliefs
in Roman Gaul and Britain, 1st-4th centuries AD' |
Geoff Berry
'Holy Wars two millennia apart - the underpinning cosmological model and its disturbing consistency' |
Grace McQuilten
'High Desert Test Sites: an artistic “Garden of Eden”?' |
Micheal Groth
'Existential Metamorphoses in David Lynch’s Lost Highway' |
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Ashley Remer
'The Changing Face of Mourning: Aesthetics and Cultural Practices in the Contemporary New Zealand Cemetery' |
Abby Robinson
'The Arab conquests of the Near East: on the geography of the conflict' |
Amelia Douglas
'The Situation in Context' |
Patricia Bieszk
'Salome’s Camp Veil: Biography, Naughtiness and the Artistic Imagination' |
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Tasha Dobbin
'Food Representations in the Egyptian Afterlife' |
Michael Affleck
'From Pagan to Papal: Libraries in Rome during the 3rd, 4th & 5th Centuries AD' |
Jacqui Drinkall
'Political Aesthetics of Telepathy in Fluxus Art' |
Rachel Torbett
'Visual Fascination, then the Chicken: dullness and captivation in the films of Werner Herzog' |
3.00-
3.30pm |
Afternoon Tea |
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3.30-
5.00pm |
Recovering the Individual |
Identity in Antiquity |
Feeling Edgy: becoming unsure of yourself in millennial film’? |
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Luis Siddall
'Royal (In)stability and the Role of the Assyrian Magnates During the Reign of Adad-nīrārī III: The Case of Nergal-ēreš' |
Michael Taplin
'Interpretation and use of the term ‘barbarian’ from Greece to Rome' |
Joy McEntee
'Residual self-image’ and the problem of theorising the cinematic ‘grotesque’ ' |
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Jennifer O'Neill
'Displays of Power: the Function of the House of Tiles in Early Helladic II Lerna' |
Barbara Sidwell
'A Reformulation of Identity: Julian’s construction of self, from righteousness to indignation, as portrayed by Ammianus Marcellinus' |
Katherine Greenwood
'Confronting the Limits: ambivalent renditions of the real in popular film' |
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Damjan Krsmanovic 'Agency in Archaeology: tensions between text, context and material culture' |
Fiona Tweedie 'Inventing Italy' |
Jessica Murrell
' “You are very, very sure of yourself aren’t you?”: Postmodern Identity in Eyes Wide Shut' |
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Friday 10th |
Wood Theatre
(further info) |
Theatre 1
(further info) |
Theatre 2
(further info) |
Theatre 3
(further info) |
9.00-10.30am
|
Medicinal Properties |
Art Instituted |
Mediation: Time and Network Cultures |
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Jim Chambliss
'How Can Epilepsy Influence Art?' |
Paola DiTrocchio
'Hidden works at the NGV' |
Andrew Saunders
'Time passing: Is just one dimension enough to warrant our attention?' |
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Victoria Hobday
'The Anatomy of Change' |
Damian Lentini
' “Lights… Kamera… Action!”: A ‘Friendly Alien’ arrives in Graz' |
Jai McKenzie
'The Zapruder Effect' |
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Brian Clark
'Disease and the Divine' |
Natalia Radywyl
'Art in dark spaces' |
Radha O'Meara
'In the Absence of Mediation: Soderbergh’s Bubble' |
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10.30-11.00pm
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Morning Tea |
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11.00-
12.30pm |
Robert Langdon
Fan Club: Studies in Symbology |
Myths and Legends |
Music, Modernism and Melodrama |
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Erin McGowan
'The Function of Ambiguity? A look at ambiguity and Minoan seal iconography' |
Greta Hawes
'Who is Actaeon? The metamorphic identity of a myth' |
Carina Nandlal
'Picasso’s Parade' |
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Marcia Nugent
'Seasonal Flux – Three flowers for three seasons' |
Aleks Michalewicz
'De/con/structing Troy: Hybridity and the Sacred Site' |
Claire Perkins
'Imitation of Life: Music and Melodrama in the American ‘smart’ film' |
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Michelle Seignior
'The Malia Bee Pendant: A Case Study in the Relationships between Jewellery, Archaeology, Culture and Minoan and Society' |
Miriam Riverlea
'The Making of the Wooden Horse' |
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12.30-1.30pm
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Lunch |
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1.30-
3.00pm |
Drama Queens |
European Cinemas: Nations, Histories, Identities |
Transmissions and Possibilities: Stop Making Sense! |
Modernism in Flux |
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Fred Bendeich
'Æschylus as Theologian' |
Luana Ciavola
'A perverse desire of revolt in Pier Paolo Pasolini’s Porcile (Pigsty, 1969)' |
Lucian Chaffey
'Chaodyssey and annihilation: the seriality and eschatology of Farscape’s wormholes' |
Ryan Johnston
'An Image Wrapped in Symbols": Group 6 at 'This is Tomorrow', 1956' |
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Erica Bexley
'Phaedra’s Mirror' |
Katharina Bonzel
'Bavarian AND Queer? Fluctuating Identities in Summer Storm' |
Daniel Agnihotri-Clark
'The Technological Glitch and the Matter of Digital Media' |
Allison Holland
'Reconstructing the prehistoric: recent works produced by the artist Mariko Mori' |
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Robin Dixon
'The Practicalities of Plautus’ Personae: Theories of Acting in the Roman Republic' |
Amy Phillips
'The persistence of the past in Pedro Almodóvar’s Bad Education' |
Erin Stapleton
'P|_|r3 Pwn4g3: a new wave of rhizomatic mass media' |
Craig Johnson
'Art Since Flux' |
3.00-
3.30pm |
Afternoon Tea |
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3.30-
5.00pm |
Trading Culture |
In FLUX |
Politics and Monsters: Cinema and American Culture |
Assembling the ANT: Ventilators, Maps, Videogames |
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Will Anderson
'Commodifying culture: who owns Khmer heritage?' |
Emmett Stinson
'Rewriting The Cantos: William Carlos Williams, Ezra Pound, and Social Credit Economics' |
Lindsay Coleman
'Masks and IPods: Identity and Race in Spike Lee’s Inside Man' |
Bjorn Nansen
'Machine Breaths' |
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Katharine Oliver
'What counts for content in cultural trade? Image production, audio-visual policy and the ‘free’ market' |
Rory Wood-Ingram
'An Absurd Proposal' |
Anika Ervin-Ward
'Return of the Repressed Cold War Generation: Tim Burton’s Monster Culture' |
Michael Dieter
'Objective Memories: On Assembling Things through Locative Media ' |
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Ramon Lobato
'Subcinema: Theorizing marginal film distribution' |
James Garrett
'Commentary on the Fragments of Heraclitus' |
Kristal Flemming
'The xenophobic debate. Relationships between Greeks and Egyptians during the Saite Dynasty' |
Thomas Apperley
'Analysis through Design: Examining the Technological and Social Actors in a Videogaming Ecology' |
5.00-
6.00pm
Wood Lecture Theatre |
KEYNOTE: Cinema Invents Ways of Dancing
Adrian Martin, Senior
Research Fellow at Monash University Film and Television, Melbourne |
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