What Lies Beneath: Postgraduate Conference 2003

Conference Program
		Panel A	Panel B	Panel C	Panel D
	Session 1 9:00-10:30am	INSIDE OUT	REDEFINING US AND THEM	BEGUILING WOMEN	GENRE/GENDER
	1	Glenys Adams WHAT LIES BENEATH A MEMORIAL CULTURE: Reconstructing the memorialization of a saint through the context of the physical space of the private rooms of San Filippo Neri at the Vallicella in Rome.	Darshana Jayemanne MICROSTATECRAFT: Belonging and Difference in Imagined Communities	Maria Valastro Roman Cybele and self-identity in the first centuries BCE/CE	Diana Sandars The Reconciliations that Lie Beneath the Australian film Musicals: One Night the Moon and Moulin Rouge FULL PAPER
	2	Kate MacNeill Judy Chicago and the layering of identity in the Australian Bicentennial year	Tim Smith Macassans in Marege – Photographed by Paul Foelsche	Elaine Shaw Constancy, Chastity and Suicide: Visual Recollection of Dido and Lucretia in Early Fifteenth-Century French Illuminated Manuscripts	Gary Simmons Aussie Blokes Queers Folks
	3	Katrina Grant The Theatrical Garden in the Baroque FULL PAPER	Mammad Aidani The Enigma- A New Discourse Of The Other	Adeline Kueh Pontianak and Her Sisters: Representations of Monstrosity in Southeast Asian Popular Culture FULL PAPER	Dominik TschuetscherQuestions of genre... and still no answers. Problems of genre criticism in cinema studies. FULL PAPER
	Morning Tea 10:30-11:00am
	Session 2 11am-12:30pm	OLD THINGS	PERCEPTIONS	DELVING IN	THE DOUBLE
	1	Christine Sun Looking into the Dark Side: Representation of New York City and Florence as “Old Cities” in Two Contemporary Crime Novels	Maree-Louise Hillcoat Beneath Point of View: Historicising Point of View through the Effects of Cinematic Perception.	Aleks Michalewicz Helen On The Edge	June Werrett Satire and Cinema: Tensions and Tendencies in the Films of Robert Altman and Blake Edwards FULL PAPER
	2	Meredith Martin All Sorts and Conditions of Men: The People's Palace and the Ecology of Informal Learning	Antonia Pont Moving Listening A Poetic Cycle FULL PAPER	Compol Swangboonsatic Cultural Traces in the Genre of Business Email	Polona Petek Narcissus and Echo at the movies FULL PAPER
	3	Nicole Tse Artistic Practices of the Bohol School of Painting: an analytical and archival study of nineteenth century panel paintings in the Philippines.	Clare O'Donoghue Beautiful and Good, the Sappho of our Time" Images of Gaspara Stampa, Virtuosa, Poet and Courtesan?	Sofia Ahlberg Fugitives in Art	Lucian Chaffey Doppelgängers and subjectivity in Buffy the Vampire Slayer This paper will examine the use of the doppelgänger in Buffy the Vampire Slayer
	Lunch 12:30-2:00pm
	Session 3 2:00-3:30 pm	STORY TELLING	IN JOSS WE TRUST	FLESH AND BLOOD	KICKS AND AESTHETIC TRICKS
	1	Heather Barker Only a Simulacrum of the Void': Art & Text's Antipodality	Djoymi Baker Opening and Closing: Teasers, Titles and Credits in Buffy The Vampire Slayer	Rhadha O'Meara Soap Hybridity: How Elements of Soap Opera Function in Buffy the Vampire Slayer	Christian McCrea A Punch In the Face, A Kick In The Balls: The Forgotten Art of (Thinking About) The Threatening Gesture
	2	Walter Burgess Media coverage of Cambodia 1975 to 1991 FULL PAPER	Patrick Porter Secrets and Lies: “Retcon” and the Banal Resolution of Character Enigmas in Buffy the Vampire Slayer	Sue Angelatos The Papal Presence at the Venerable	Katy Stevens Remastering Metz: Aural Pleasure and the Cinematic Apparatus
	3	Trudy White Some Moments From The Travels Of Emille	Patrycja Bieszk Vampire Hip: Style as Subcultural Expression in Buffy the Vampire Slayer	Keely Macarow The Disappearing Body	Allan Cameron The Detective and the Image: Hypermediacy and Narrative in the Cinema FULL PAPER
	Break: 3:30-4:00pm
	Keynote 4:00-5:00pm	Professor Ross Gibson, New Media and Digital Culture, UTS
	Cocktail Reception 5:00-6:00pm
	Dinner 6:30pm-	La Spagehetteria, 132-136 Lygon St, Carlton, PH: 9663 4333 $20 per head

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School of Art History, Cinema and Classics

What Lies Beneath: Postgraduate Conference 2003

Conference Program