The AHCCA Postgraduate Association 2005 Conference was held on Tuesday 8 th November 2005. Postgraduates from around Australia presented papers on topics including ancient to contemporary art history, curatorship and material culture, contemporary art practice, cinema management, Neighbours, Hollywood musicals, media censorship and more.
Glass is a complex material with visual and other physical properties that sets it apart from other ancient materials. There is evidence that the first glass was manufactured in imitation of semi-precious stones which were believed to have had magical properties. Professor Henderson will examine cultural, historical (including alchemical), technological and ritual factors in the emergence of the first glass in the Bronze Age.
| 8.45-9.00 |
Conference registration, outside the Public Lecture Theatre, Old Arts Building |
Room |
Theatre B |
Theatre C |
PLT |
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Session 1
Chair:
TBA
Thresholds: Secrets & Liminality |
Session 2
Chair: Assoc Prof. Charles Green
Display |
Session 3
Dr Rhiannon Evans
Animal House |
| 9.00-9.30 |
Sandi Van Rompaey
Art History Mandaen Symbolic Art |
Emily Gray
Art History Dr Eric Westbrook: A Modern Approach |
Miriam Riverlea Classics Carved Creatures: The Wooden Horse and the Wooden Cow in Greek Myth |
9.30-10.00 |
Andrew Saunders Cinema Notes on Abstract Form and the Film Viewing Experience |
Brent Davis Archaeology So you walk into a roomful of artifacts: where do you start to read? |
Benjamin Lazarus Classics Jonah and his big fish |
10.00-10.30 |
Dave Collard Archaeology Function and Ethnicity: Ritual ‘Bathtubs' from Late Bronze Age Cyprus |
Damien Lentini Art History Re-Imagining the Cube: The Framing of Art in the Contemporary Period |
Timothy Ould Art History The Owl and the Crow: An Ancient Motif in Late Sixteenth Century Italy |
| 10.30-11.00 |
Erin McGowan Archaeology Ashamed to be Shamans: an analysis of gesture and ‘ecstatic' experience within Minoan cave ritual |
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Anika Ervin-Ward Cinema Returning to a Fantastical World of Freaks: Nostalgia and Storytelling in ‘Big Fish' |
11.00-11.20 |
Morning Tea |
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Session 4
Chair: Dr Felicity Colman
Defining Boundaries – Censorship and the Death of Art |
Session 5
Chair: Dr Mark Nichols
Cops and Robbers Law and Disorder?
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Session 6 Chair: Dr Louis Hitchcock Illuminate |
| 11.20-11.50 |
Tasma Minifie Cinema Management Policing the Internet: Can it be done? |
Michael Farrell Art History Postcolonial Uncanny: Billycans in Arthur Boyd/ Ned Kelly in Sidney Nolan
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Marcia Nugent Classics The Power of Flowers |
11.50-12.20 |
Amy Zhou Cinema Management Chinese Censorship of Media and Films: Education, Morality and Politics |
Tim Smith Art History Six Hundred Sheets of light writing on glass – Illuminating one of Australia 's unknown colonial photographers |
Noel Hidalgo-Tan Archaeology And the moral of the story… (the story being China)
Isobelle Fabian Archaeology The role of fertility in feminist archaeology |
12.20-12.50 |
Gary Willis Fine Arts Art – Not Art |
Alex Ling CinemaScreening Columbine: Cinema and the (Re)turn of Ethics Itself |
Christine Dunn Archaeology A Dialogue Between Two Famous Figurines: The "Venus of Willendrof" of the European Upper Palaeolithic and "Barbie" of Modern north America
Caroline Spry
Archaeology Analysing Archaeology as Feminist Discourse |
12.50-1.05
Ramon Lobato Cinema Crime, Concrete, Celluloid |
12.50-1.05 Shannon Burton-Rushworth Archaeology Phallocentricity in Engendering the Past |
12.50– 1.40 |
Lunch |
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Session 7 Chair: Prof. Jaynie Anderson
Shards and Fragments |
Session 8
Chair: Dr Anthony White
Bodies: Real and Imagined |
Session 9
Chair: TBA Relationships |
| 1.40-2.10 |
James Garrett Classics Tension Between Heraclitus and Aristotle |
Roberta Crisci
Art History Edgar Degas (1834-1917) and the feminist critique |
Anna Drummond
Art History Boccacio's Decameron and Marriage |
2.10-2.40 |
Bronwyn Hughes Art History Collecting Stained Glass: the perils of politics and distance |
Josephine Verduci ArchaeologyThe Wasp Waisted Minoans |
Radha O'Meara Cinema A Certain Tendency of Australian Soap Opera: ‘Special' Episodes in Serial Narratives |
2.40-3.10 |
Jennifer O'Neil
Archaeology The Emergence of Complex Society on Mainland Greece : the ‘House of Tiles' and the Function of Sealing in Early Bronze in Early Bronze Age Lerna |
Yee Hwan Yeoh Cinema Looking Through Vertigo |
Donna Bailey Photography Unconditional |
| 3.10-3.40 |
Jeff Stewart Fine Art Shangri-La |
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Zoë Willis Art History Bithiya or Thermutis? Medieval Representations of Pharoah's Daughter |
3.40-4.00 |
Afternoon Tea |
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Session 10 Chair: TBA
Mobility
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Session 11
Chair: Dr Wendy Haslem
Aesthetics : The Beautiful and The Troubling |
Session 12
Chair: Ass Prof. Chris Mackie Landscapes and Dreamscapes |
4.00-4.30 |
Amelia Douglas
Art History Pierre Huyghe's journey to the moon and other real and imagined places |
Luisa Childs Cinema Management 'Pasolini's 'Salo': Political Allegory or Obscenity? |
Jessie Birkett-Rees Archaeology Natural Selection: preservation, visibility and interpretation of the archaeological record, a Transcaucasian example |
4.30-5.00 |
Silvio Kohs New Media The new mobility in filmmaking – accessing historical space through digital technologies |
Natalya Hughes Art History Figuring the Decorative in the work of Kara Walker and Aubrey Beardsley |
Sally Grant Art History “Giorgione and Arcady” Reconsidered |
| 5.00-5.30 |
Diana Sanders Cinema Hip-Hip-Hop, Made the Musical Stip-Stip-Stop: The Effects of Hip-Hop on the Evolution of the Hollywood Musical |
Zilia Papp Art History Monsters in Japanese Art – A Visual Evolution |
Estelle Strazdins Classics Cultural Betrayal or Exemplary Hybridity? Becoming Roman in Lucian's Dream and Apology |
5.30-6.20 |
Keynote Speaker: Dr Julian Henderson
Chair: Assoc Prof Tony Sagona |
| 6.20 on |
Free Drinks and BBQ in the courtyard of the Elizabeth Murdoch Courtyard |