The Fifth AHCCA Posgraduate Symposium was held on Thursday 10th June 2004.
Session 1 |
Theatre B |
Theatre C |
| 10:00 - 12:00 |
Ladies and Gentlemen
Chair: Hugh Hudson |
Immersion Therapy
Chair: Meredith Martin |
| |
Katrina Grant
'The Enchantress in the Garden' Theatrical performances in Baroque gardens
|
Edwina Bartlem
Embedded and Embodied in Technology: Immersion in Char Davies' Virtual Environments |
Richard Misek
Point of View in 'The Thin Red Line'
|
Annabel Orchard
Smiths, Myths and Metaphors: the Motif of Immersion |
Kate MacNeill
(Mis)representing a gay male: the work of Mathew Jones |
Jane Kent
Colour
|
| Heather Barker 'Femininity doesn't mean lack of bite': 'Lip' and the feminist critique
|
Estelle Strazdins Transforming fire: The effect of technology on humanity in Hesiod's Prometheus Myth and the Watcher Myth of '1 Enoch' |
| 12:00 -1:30 |
Lunch Break |
|
Session 2 |
Theatre B |
Theatre C |
| 1:30 - 3:00 |
Rome/Roam
Chair: Hugh Hudson |
Telling It Like It Is
Chair: Katrina Grant |
| |
Erica Bexley
No Place Like Rome? Political and Geographical Centrality in Lucan's Pharsalia |
Elizabeth Avram Remembering and Retelling History in Rabbit Proof Fence and Ned Kelly |
Rebecca Andrews
Robert des Ruines: the recreation of the Picturesque Temple of Sibyl
|
Aleks Michalewicz
Founder / Destroyer / Progenitor: Form and Function of the Demi-God in Archaic Greek Myth (10 minutes) |
Tim Ould
The Roman Works of Jacopo Zucchi, 1571-1596 |
Timothy Glover
Language Switching in the New Testament
|
| |
Miriam Riverlea
From the Horse's Belly: the wooden horse in ancient and modern Greek myth (10 minutes) |
| 3:00 - 3:30 |
Afternoon Tea in
the Old Arts Building |
Catered by Deep Dish |
Session 3 |
Theatre B |
Theatre C |
3:30-
5:00 |
Out of Site
Chair: Angela Ndalianis |
Paint and Suffering
Chair: Chris Marshall |
| |
Hugh Hudson
When good neighbours become...patrons: Paolo Uccello's Florentine neighbours and patrons in the 1430s and1440s |
Paul Monaghan
Aeschylus' Prometheus Bound and Symbolist Adaptations
|
Simon Young
The development of the agora at Aspendos
(20 minutes) |
Helen Walpole Recolonising heritage: presenting contemporary art in Tasmanian historical places |
Sarah Scott
A New Commonwealth : The exhibition Commonwealth Art Today and the opening of the Commonwealth Institute (1962) |
Leanne McNamara
First Do No Harm: Healers and Harm in Classical Greece
|
5:15-
6:15 |
Reception outside Old Arts building |
6:30 -
till late |
Dinner at Il Cantuccio 209 Lygon St |